The Oxford Handbook
of Screendance Studies
816 Pages | 107 illustrations
6-3/4 x 9-3/4 inches
Oxford University Press
The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation.
Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines.
The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.
Cristiane Bouger translated into English the Chapter 5: Brazilian Videodance: A Possible Mapping, by Ph.D. Professor Leonel Brum, from The Federal University of Ceará, in Brazil.
#5 [ performance ]
Abrigo Portátil – coleção em revista is a magazine conceived as an experimental platform for visual art works. It consists of 8 (eight) different issues on contemporary art, launched simultaneously in 2016 by Editora Medusa. The magazine is distributed in Brazil by Iluminuras.
Abrigo Portátil Editorial Staff is composed by Luana Navarro, Arthur do Carmo, Eliana Borges, and Ricardo Corona. For the issue Performance, Medusa invited Cristiane Bouger to bes a Guest Editor.
The issue #5 presents and editorial by Cristiane Bouger and works by Neil Harbisson, Laura Lima, Antonio Vega Macotela, Lynn Book, Guillermo Gómez-Peña + La Pocha Nostra, Paulo Nazareth Ed. / Ltda, and Tania Bruguera.
For Abrigo Portátil #5, Cristiane Bouger translated into English the performance score Unwording Chimaera, by performance artist
Lynn Book (USA).
Copyright © 2018 Cristiane Bouger. All rights reserved.