The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape
of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation.

Each chapter discusses and reframes current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image.
Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas
of intersecting disciplines.

The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.

Cristiane Bouger translated into English the "Chapter 5: Brazilian Videodance:
A Possible Mapping", by Ph.D. Professor Leonel Brum, from Federal University of Ceará, in Brazil.

Abrigo Portátil – coleção em revista is a magazine conceived as an experimental platform for visual art works. The series consists of eight different issues on contemporary art, which were simultaneously launched in 2016 by Editora Medusa. The magazine is distributed in Brazil by Iluminuras.

The Issue #5 features an editorial by Cristiane Bouger and works by Neil Harbisson, Laura Lima, Antonio Vega Macotela, Lynn Book, Guillermo Gómez-Peña + La Pocha Nostra, Paulo Nazareth Ed. / Ltda, and Tania Bruguera.

An extended version of Issue # 5 was exclusively created to be available online. Along with the original content of the magazine, the online version presents the Manifesto
of Sex, Gender and Identity Freedom, by Margie Rauen, as well as several works available in video and audio by the artists who were featured in the printed magazine.

For Abrigo Portátil, Issue #5, Cristiane Bouger translated the vocal performance score Unwording Chimaera, by performance artist Lynn Book (USA), into Portuguese, pages 21–26.

The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy
of critical investigation.

Each chapter discusses and reframes current issues, as a means
of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines.

The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and
the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.

Cristiane Bouger translated into English the "Chapter 5: Brazilian Videodance: A Possible Mapping", by Ph.D. Professor Leonel Brum, from Federal University of Ceará, in Brazil.

Abrigo Portátil – coleção em revista is a magazine conceived as
an experimental platform for visual art works. The series consists
of eight different issues on contemporary art, which were simultaneously launched in 2016 by Editora Medusa. The magazine is distributed in Brazil by Iluminuras.

The Issue #5 features an editorial by Cristiane Bouger and works
by Neil Harbisson, Laura Lima, Antonio Vega Macotela, Lynn Book, Guillermo Gómez-Peña + La Pocha Nostra, Paulo Nazareth Ed. / Ltda, and Tania Bruguera.

An extended version of Issue # 5 was exclusively created to be available online. Along with the original content of the magazine, the online version presents the Manifesto of Sex, Gender and Identity Freedom, by Margie Rauen, as well as several works available in video and audio by the artists who were featured in the printed magazine.

For Abrigo Portátil, Issue #5, Cristiane Bouger translated the vocal performance score Unwording Chimaera, by performance artist Lynn Book (USA), into Portuguese, pages 21–26.

The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices,
and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation.

Each chapter discusses and reframes current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics
of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines.

The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and
the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.

Cristiane Bouger translated into English the "Chapter 5: Brazilian Videodance: A Possible Mapping", by Ph.D. Professor Leonel Brum,
from Federal University of Ceará, in Brazil.

Abrigo Portátil – coleção em revista is a magazine conceived as an experimental platform for visual art works. The series consists of eight different issues on contemporary art, which were simultaneously launched in 2016 by Editora Medusa. The magazine is distributed in Brazil by Iluminuras.

The Issue #5 features an editorial by Cristiane Bouger and works by Neil Harbisson, Laura Lima, Antonio Vega Macotela, Lynn Book, Guillermo Gómez-Peña + La Pocha Nostra, Paulo Nazareth Ed. / Ltda, and Tania Bruguera.

An extended version of Issue # 5 was exclusively created to be available online. Along with the original content of the magazine, the online version presents the Manifesto of Sex, Gender and Identity Freedom, by Margie Rauen, as well as several works available in video and audio by the artists who were featured in the printed magazine.

For Abrigo Portátil, Issue #5, Cristiane Bouger translated the vocal performance score Unwording Chimaera, by performance artist Lynn Book (USA), into Portuguese, pages 21–26.